niedziela, 22 maja 2016

Rock music list: Most essential rock albums /one per artist

Do yourself a favour and buy these records remastered
If you think that this list is really missing some album, give me a sign. These are not my favourite albums, I list here the most essential records to understand rock music.
Every collection needs to contain:
  • Astral weeks 1968
  • Blonde on blonde 1966
  • The doors 1967
  • Live at Max's Kansas City/Velvet underground live 1969 –released later
  • Bridge over the troubled water 1970
  • Good 1992
  • The name of this band is talking heads 1982
  • Before and after science 1977
  • Songs of Leonard Cohen 1968
  • Singles collection* the london years 1963-71
  • A night at the opera 1975
  • The river 1980
  • All things must pass 1970
  • Electric warrior 1971
  • London calling 1979
  • The Good Son 1990
  • Abbey road 1969
  • Songs in the key of life 1976
  • Made in Japan 1972
  • Loveless 1991
  • Days of wine and roses 1982
  • Violent Femmes 1983
  • In Court of the Crimson King 1969
  • Cosmo’s Factory 1970
  • Marquee Moon 1977
  • Doolittle 1989
  • Yardbirds/Roger the engenieer 1966
  • Zuma 1975
  • Swordfishtrombones 1983
  • Trout Mask Replica 1969
  • Modern Lovers 1976
  • American Pie 1971
  • Geek the girl 1994
  • Fire of love 1981
  • Dire straits 1978

piątek, 13 maja 2016

Album review: Psychocandy


1.Just Like Honey 2.The Living End 3.Taste The Floor 4.The Hardest Walk 5.Cut Dead 6.In A Hole 7.Taste Of Cindy 8.Some Candy Talking 9.Never Understand 10.Inside Me 11.Sowing Seeds 12.My Little Underground 13.You Trip Me Up 14.Something's Wrong 15.It's So Hard
Essential tracks: bolded ones

Psychocandy 1985

The cooler than cool band realising the cooler than cool debut, ...but it's not that good, you know. I have chosen to review this album as the beginning of my upcoming "Kacper's fantastic debuts" series because this is a fantastic debut. However, I believe that it would be the least fantastic album in the whole set. From 2016 A.D. perspective things aren't looking too brightly for this album. It surely is regarded as inventive, but think when was the last time you have listened to this thing in whole.

My main point is that this thing has simply got dated. Just like the Byrds' albums before, Psychocandy reached the point where it should be respected for being ground breaking, without regarding it as a cohesive masterwork. If you feel offended, please don't be and don't hate me for this view. I consider myself sort of a fan of these guys, but I believe that they have got better with time and reached their peak few years later. During the time of their debut Jesus & Mary Chain were most definitely a punk-rock band making psychedelic music, this was most extraordinary phenomenon. They caused riots, were, described as truly dangerous, and most of their concerts couldn't last for half of planned time without causing the audience destroy all of surroundings. These guys were big in spirit, which turned out to be a curse for them and might have prevented them from making a huge career. So back then this album had a huge impact on certain masses, but these guys were still rookies.

Brothers Reid, Jim on vocals and William on guitar, who are the only constant members of the band, made Psychocandy a hard thing to categorize, but at the same time it is hard to sit through. Other words, we face the work, which was consciously planned to be intriguing. The punkish vibe is present in each every of songs, unluckily it does not fit most of psychedelic arrangements. This is obviously revolutionary manner, the way the songs are presented, although there is no actual structure in between them. The songs alone are mostly not memorable, and please don't be outraged, I must admit that each of them has something to offer, but it is not a display of virtuosity, or a marvellous melody, at least not in the most of cases... Speaking of a marvellous melody, it is present here only in one example of timeless, classic rock music, which is, of course, the opening track Just like honey. I won't even describe it, if you know it, I am not able to improve it for you, and if you aren't familiar with this song, well go listen to it. It is so epic that it made it to be a soundtrack for Sofia Copola's movie with Bill Murray -lol. After such a high-note opening we are flooded with lots of noise and when I star to wonder if it's all worth it, I am saved by two thrilling numbers Some Candy Talking and Never Understand. The first one - great Lou Reed-ish ballad, the latter is famous Beach Boys influenced song given a noise-rock treatment. What I try to state is, if all of the songs were as good as these three, I would certainly include this album in my Top 10 debuts list.

The rest is unfortunately different, but I believe it depends on your own attitude towards them. Like I have mentioned, each of songs has something to offer and it may make more sense if you carefully study the lyrics, yet this is not a job of a reviewer. Musically most of the songs in here are not standouts and this is it. I respect the effort of this guys, of making resourceful take on psychedelia, which seemed to be adding something interesting to the abandoned genre. Yet, it was not a triumph that has improved standards set before, so it is kinda hopeless effort - from my perspective, it's sth quite particular for 80s' music scene.

The most ridiculous thing, concerning this album, are attitudes of some "professional" critics towards it. First of all, calling it "an album with one trick and one trick alone - Beach Boys melodies meet Velvet Underground feedback and beats" by Allmusic reviewer, is dumber than dumb, mainly because there are none of these things on the record. Jesus & Mary Chain were definitely influenced by Beach Boys and Velvet Underground, but they do not sound alike to each of them and most definitely not like both of them. Compositions of Reid bros. are derived of vocal harmonies and their sort of  psychedelia is very differently sounding to one of the VU's (I don't even mention lyrics). Generally, the review of Psychocandy on Allmusic site is one piece of garbage. The other strange conduct of critics towards this album is shown by their incredibly high marks for it, like 9,6 by Pitchfork, 10/10 Drowned in Sound, and five stars by almost anyone who gives stars. This is seriously pathetic to mark an album so highly, without giving nearly no reasons to state for its perfection. I personally like this music, but I am able to easily find it far from being perfect. Jesus & Mary Chain were simply starting and it is later, on an album called Automatic, they would come up with their minor masterpiece.

Anyway, there are too many problems with this band, for me to place them in the first league. I will extend this subject in a different review, but here it is important to mention that they were Scottish... yeah they could be best at least in one category. It is also important to mention, these guys were making music, which was focused on the spirit and this is why it does not always rule. They simply were the opposite of Pixies, what I mean by that, they focused too much on mood they wanted to transmit, instead of maximizing the effect by using minimum of effort. When you look at this album like that, it becomes obvious why it is rated so well and not being listed on most of charts, or generally not often listened to.

Because I don't want to finish this review on a harsh note, I will give you an advise. This album has an unique use, the one and only in the whole world of music. If you want to troll your parents, or somebody of an older age, you can introduce them to alternative music by playing Psychocandy loud. Wait for their reaction after they reach the second track. 

piątek, 6 maja 2016

Album review: Café Atlantico

1.Flôr Di Nha Esperança 2.Vaquinha Mansa 3.Amor Di Mundo 4. Paraiso di Atlantico 5.Sorte 6.Carnaval de São Vicente 7.Desilusão dum Amdjern 8.Nho Antone Escaderode 9.Beijo de Longe 10.Roma Criola 11.Perseguida 12.Maria Elena 13.Cabo Verde Mandá Manténha 14.Terzinha
 Significant Tracks: ALL of THEM!

I dedicate this review to members of the Only Solitaire group.

Café Atlantico 1999

This is a kind of album, which encourages me to keep spending time on music. This is not rock, nor pop music. This is simply a marvelous experience, which I accidentaly met at some stage of my life. It makes me wonder about music in general - how many more albums like this are waiting for me, may never to be discovered. In a nutshell, Café Atlantico is suggested to be seen as a perfect album.

This is neither the first, nor the last album by Cesaria Evora, but it seems so special. I don't know how to describe it. Cesaria is the phenomenon in her own league, and all I can do, is to recommend you listening to this stuff. I describe this music as very sentimental, being at the same utterly enjoyable. What I dearly love about it is the feel of truthfulness, which waves its way through each of songs. This album is similar to a realistic, life-affecting novel. Don't get me wrong, I do not speak Portugese, the magic is implied here by the mood of music. And speaking of which, the arangments are the second best (after Cesaria's singing - what a voice!) thing on this record. I mean, instruments are making accompaniaments in such a lively manner with an incredible ease, that it clearly stands for virtuosity of players. It took over eighty (!) people to record and produce this album, but most amaizingly I am unable to hear this. This album sounds like it would have been recorded live in some small cape verdean cafe, yesterday.

Basicaly, this is it. I wanted to get over this review as quick as possoble, cause there is not much to confabulate about. Café Atlantico is a masterpiece, not only of its kind, but of all music, in general. And buy it, yeah buy it today! World will be a better place with you having some morna music proudly standing on a shelf.